Hou Lam Tsui (b. 1997), is an artist based in Hong Kong. Her work encompasses a wide range of mediums, including moving images, installation, sculpture, and text. Her practice centres around gender, emotions, body, and personal experiences. Drawing inspiration from pop culture, anime, and TV commercials, Tsui critically explores the tension between agency and consumer desires and rethinks how capitalism shapes the commodification of bodies.

Tsui received a BA in Fine Art and History of Art from the University of Leeds in 2018. She is pursuing a Master of Fine Arts (M.F.A.) at the Chinese University of Hong Kong. She held her solo exhibition Blind Curve at Hong Kong's independent art space RNH Space in 2022 revolving around the politics of love and the mediatisation of female bodies. Selected group exhibitions include One is not born a woman (Square Street Gallery, 2023), Post-Human Narratives—In the Name of Scientific Witchery (Hong Kong Museum of Medical Sciences, 2022), and Noble Rot (Para Site, Hong Kong, 2021).


Photo: Florence Yuk-Ki Lee.



education


2018
Bachelor of Arts (First Hons.) in Fine Art and History of Art, University of Leeds

solo exhibition


2022
Blind Curve, RNH Space, Hong Kong

selected group exhibitions


2024
Follow the Feeling, Times Museum, Guangzhou, China 
2024
Gender Revealed, the Association Concerning Sexual Violence Against Women (ACSVAW), Hong Kong
2023
One is not born a woman, Square Street Gallery, Hong Kong
2022
Para Site Annual Fundraising Auction Preview, Soho House, Hong Kong   
2022
Expanded Space: Body Dis-ordered, Tomorrow Maybe, co-presented by CCDC / Jumping Frames 2022 and Eaton HK, Hong Kong
2022
Post-Human Narratives: In the Name of Scientific Witchery, Hong Kong Museum of Medical Sciences, as part of Para Site’s offsite project, Hong Kong
2022
Made in Hong Kong, Art Central, Hong Kong
2021
Noble Rot, Para Site, Hong Kong
2021
Post-Human Narratives: The Coexisting Land, Cattle Depot Artist Village, Hong Kong
2021
活體洞, curated by Virtue Village, outside of Pei Ho Street Municipal Services Building, Shum Shui Po, Hong Kong
2018
Squeeze (BA Degree Show), School of Fine Art, History of Art and Cultural Studies, University of Leeds, UK
2018
After the Exploration of, School of Fine Art, History of Art and Cultural Studies, University of Leeds, Leeds, UK

selected screenings & programmes


2024
ART+FILM, ACMI (formerly the Australian Centre for the Moving Image), Australia
2024
Do NPCs Dream of Electric Sheep?, presented by Videotage, Art Basel Films, Hong Kong
2023
Living Togetherness, 2023 Taiwan International Video Art Exhibition (TIVA), Taiwan
2023
Burning Things, g39, Cardiff; Royal College of Art, UK; Videotage, Hong Kong
2023
Citrus Worlds, Art Central, Hong Kong
2023
after/party, as part of the Singapore Art Week, Supper House and Starch, Singapore
2021
Plastic Love, RNH Space, Hong Kong, online
2020
Ocular Oracular, Issue 1, D-Normal/V-Essay, Floating Projects, Hong Kong, online
2020
Completed with an error, Post-Human Narratives, Hong Kong, online

selected press coverage & in-conversations


The Last Supper - Art in Asia, “Ep. 51 | Artist Hou Lam Tsui on the politics of love, creating new societal narratives, sexuyal ambiguity, finding love and unloving”, podcast

ArtAsiaPacific, “Post-Human Narratives: In the Name of Scientific Witchery”, online

DAMN Magazine, “Features / Art: Hou Lam Tsui: Crystal Foam”, online

Tatler Hong Kong, “Witches, Magic, and Tarot Make a Cultural Comeback”, print and online

South China Morning Post, “‘Noble Rot’ art show at Para Site in Hong Kong explores themes of decay and transformation”, online

Artomity, Autumn 21, “Folio Selection”, print

fellowship


2022
2046 Fermentation + Fellowships, Para Site, Hong Kong

collections


Asia Art Archive Collections

Tate Library Collection

Videotage Media Art Collection

Private Collections